There are about as many ways to wire an amp as grains of sand on a beach, some better than others.
One criteria of the above example was the size of the case as dictated by the customer. It was pretty much a 10 lb sausage placed in a 5 Lb casing.
I've found no instances of any audiofoolery in having AC wires in close proximity. Typically, phases are opposite so that there is inherent cancellation of induction. The transformer was encased in it's copper and brass housing to eliminate inductive noise to the amp boards. The length of input and output leads to those boards, dictated by the placement of the high temperature devices on the heatsinks. This is a Class A amp so it operates at it's highest quiescent current when at idle. Believe me, temperature rules when biasing this amp.
I thought it might be of some interest to see the variety of different wire used inside the amp. Maybe not.
I don't see the obsession about not using a terminal block. They are made for exactly this purpose and others went before using similar process. I find it neater and more secure than soldering and laying wire in air space or laying them down within the case. Again, grains of sand.
About the only caveat I had in retrospect about "neatness" is that the input wiring could have become an antenna because of the layout. In use, that was proven to not be the case.
BTW, the input wiring from the switch to the boards (white) is teflon jacketed, teflon and copper shield, A Belden Product manufactured to use in very high frequency mil spec communication wiring. I've used it in a number of audio applications, including high-end SS preamps and it has shined in those applications.






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